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Quotidianity through the lease of a historical maniac at Louis Vuitton Resort 2026

“Art of Travel” is the motto that Louis Vuitton follows for everything they put out in the market. Their products can be defined as the combination of innovation and style with uncompromising quality, offering clients the chance to move around without refusing to be elegant and with the condition of practicality before everything else. That is why Resort collections are always gems inside a Maison like LV. Their mantra meets with the aspirational and travel-ready fashion that we are expecting from this type of presentation. Seeing the chairs game that has been defining the highest spheres inside the fashion industry, it is outstanding to see how they have stuck with their lead talent and team and trust his vision after all the convulsion that is happening in all major fashion capitals.

Nicolas Ghesquiére, the creative director of Womenswear since 2013, has been obsessed with this exact location for more than 20 years. Palais des Papes in Avignon, South of France, is a location that each year host a yearly experimental theater festival, where the latest innovations in the performance world are presented and the creative was present in one edition where he experienced a dance performance by Pina Bausch and a installation by Bill Viola. This event changed his perspective on performing arts and let him discover a world where you can play with the product that you are putting out and how you are giving it out. This last thing is what makes this show special, the reflection on how the public interacts with the clothing itself, how the audience becomes the performer in a world where we all live imposing a reality (that might be different from who we really are) through social networks. We could see in the front row known faces from the music and film scene like Emma Stone, Jaden Smith, Sophie Turner or Lous and the Yakuza.

This collection is an ode to bold transformation through an expressive wardrobe. An array of 45 looks that are composed with the formidable heroines from the Middle Ages in mind, evoking a defiant femininity that is complemented with fresh perspectives on signature bags and the collaboration of accesories and a wooden box piece crafted by Thomas Roger. We can feel a sensation of escapism, while paying homage to the House’s leatherworking savoir-fare. A mix of contrast that plays with the romanticism of the past and the performativity of the present world, a clash of medieval splendor and glam rock decadence. The intricately detailed silhouettes gave birth to an emotional journey of discovery; where multifaceted charm, lustrous energy and modern fairy-tale are intertwined.

Staging contemporary culture, this collection deliberately let us dive into a multifaceted and mystical world composed by foraging and medieval references. Shaping mood, appearance and character the looks allow the wearers to define who they are before they established any type of conversation, is a talk on personal style to the rhythm of William Sheller’s Excalibur and Lux Aeterna, compositions that blend classical music with pop, rock and chanson. An emotionally honest and intricate musical selection that made the collection shine, culminating in a finale where the designer walked to the stage reflecting his personal connection with the place. At the end of the day, a collection where everyday garments are made with couture-level artisanal craft and technological experimentation. Louis Vuitton is reassuring their unique place in the industry, where they let their creatives do whatever they want, because they understand that creativity and business are aligned, but not condemnatory. The products need to reflect the mind of the creator and not the other way around, that is why the figure of a creative director exists.

Words: @alraco43